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Doja Cat Reimagines Huge Mama Thornton’s ‘Hound Canines’ on ‘Elvis’ Biopic Bop ‘Vegas’

It’s the rapper’s 2nd soundtrack appearance since her “Boss Bitch” contribution to Birds of Prey: The Album

Doja Cat is taking Elvis Presley’s “Hound Canines” help to its popular blues roots: Huge Mama Thornton. On Thursday, the singer released “Vegas,” her note from the upcoming Elvis biopic role to come June 24. The rap-stuffed note samples Thornton’s vocals and provides a Doja aptitude to a classic.

Within the lyrics, Doja raps to a man who under no circumstances deserved her consideration and whose ass she had sittin’ top quality.

“I ain’t playin’, that’s hide and explore, participant/High college, at the same time as you at final peak,” she raps, aided by Thornton (in italics), who at the muse recorded “Hound Canines” sooner than Presley’s indispensable 1956 model dropped. “Hound canine, come get a treat/I’m a inferior bitch but/You ain’t nothing but a/Canines? Player, I get it.”

Doja first teased the song by sharing a 10-2nd clip on-line sooner than performing the note at some stage in her major stage Coachella performance final month.

“Vegas” is the first note to be released from the soundtrack for the Baz Luhrmann-directed biopic. Earlier this week, Kacey Musgraves confirmed that she would be covering Presley’s “Can’t Abet Falling in Delight in” for the movie, which stars Austin Butler as Presley.

Talking sooner than the debut of the film’s trailer in February, Luhrmann told press that the biopic turned into a “canvas” to explore the persona of U.S. society at the time of Elvis’ upward thrust.

“In this up to the moment era, the life of Elvis Presley also can now not be a higher canvas on which to explore The United States within the Fifties, Sixties, Seventies,” he acknowledged. “It turned into 42 years, but that’s three gigantic lives keep into one. What’s extraordinary about it is a long way that life is culturally at the center of the Fifties, socially the Sixties, and the truth is the Seventies.”

Here is Doja Cat’s first soundtrack appearance since her note “Boss Bitch,” which led the Birds of PreyThe Album.

From Rolling Stone US.

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